CRASS – PENIS ENVY LP – Nr MINT UK 1981 ORIG PUNK ANARCHO

Crass – Penis Envy
(Crass Records  1981  3219841)
Matrix No’s: A2/B2 – UK Pressing

Vinyl in Nr MINT condition
(there are some light surface marks visible on the vinyl when held up to the light but they don’t affect the sound quality)

Poster Sleeve in Nr MINT condition

Crass were an English collective and punk rock band formed in 1977 which promoted anarchism as a political ideology, a way of life and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights and environmentalism. The band used and advocated a DIY punk ethic approach to its sound collages, leaflets, albums and films.

Crass spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards, coordinated squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop amalgamating icons of perceived authority such as the Christian cross, the swastika, the Union Jack and the ouroboros.

The band was critical of punk subculture and youth culture in general. Crass promoted an anarchism which became more common in the punk-music scene. They are considered art punk in their use of tape collages, graphics, spoken word releases, poetry and improvisation.

Penis Envy, released in 1981, was the third LP by the anarchist punk band Crass. The album is included as #36 on Rolling Stones‘ “40 Greatest Punk Albums of All Time” list in 2016.

The Crassical Collection version of this release, including new artwork by Gee Vaucher, remastered sound, liner notes by Eve Libertine and Penny Rimbaud and bonus material, was released in November 2010.

Named as a reference to some of Freud’s ideas concerning sexuality, this release marked something of a departure from the somewhat ‘macho’, ‘hardcore punk’ image that The Feeding of the 5000 and its follow up, Stations of the Crass, had to some extent given the group, for it featured more obviously complex musical arrangements, as well as exclusively female vocals by Eve Libertine and Joy De Vivre (although Steve Ignorant remained a group member and is credited on the record sleeve as “not on this recording”). The album addressed feminist issues and once again attacked the institutions of ‘the system’ such as marriage and sexual repression.

One track, not actually listed on the album cover, was a deliberately saccharine (described in fact by the band themselves as “‘pure, unadulterated shit”) parody of a “middle of the road” love song entitled “Our Wedding”. This was given away as a flexi disc with a teenage girl’s romance magazine called Loving after having been offered it by an organisation calling itself Creative Recording And Sound Services (note the initials). A minor tabloid furore erupted once the hoax was revealed, with the News of the World going so far as to state that the album’s title was “too obscene to print”. (A leaflet giving the background to this Situationist-style prank was subsequently issued by the band). Now considered a rarity, the original flexi-disc fetches high prices on the collectors’ market.

The album was banned by the retailer HMV. During the mid-1980s, Greater Manchester Police under the direction of James Anderton seized copies along with other records by Crass and the Dead Kennedys, from Eastern Bloc record shop. Frank Schofield was charged with displaying “obscene articles for publication for gain”. The band Flux of Pink Indians, its two record labels and its publishing company were also charged under the Obscene Publications Act. The judge ruled against Crass in the ensuing court case, although this decision was overturned by the Court of Appeal, apart from the lyrics to one song, “Bata Motel”. The heavy costs incurred by this episode were a contributing factor in Crass deciding to disband.

Track listing

Line up

• Eve Libertine – vocals
• Joy De Vivre – vocals on “Health Surface”
• Phil Free – lead guitar
• B.A.Nana (N.A.Palmer) – rhythm guitar
• Pete Wright – bass guitar
• Penny Rimbaud – drums
• G – harmonium on “What the Fuck?”
• CRASS Member not on this recording – Steve Ignorant
• Engineered by John Loder
• Paintings by G
• Design by Crass at Exitstencil Press