JOHN FOXX – METAMATIC LP – Nr MINT UK 1980 ELECTRONICA ULTRAVOX

John Foxx – Metamatic
(Metalbeat/Virgin Records  1980  V2146)
Matrix No’s: A4/B5 – UK Pressing

Sleeve in Excellent condition
– some wear to edges/corners, small crease in bottom left corner and couple of small sticker marks in top right corner
Plain White Inner Sleeve

Vinyl in Nr MINT condition

John Foxx (born Dennis Leigh, 26 September 1947) is an English singer, artist, photographer and teacher. He was the original lead singer of the band Ultravox, before leaving to embark on a solo career (with Midge Ure eventually taking his place in Ultravox). Primarily associated with electronic synthesizer music, he has also pursued a parallel career in graphic design and education.

Andy Kellman of AllMusic noted that Foxx “was one of those cult figures known more through the recordings of others rather than those of his own making. His detached, jolting vocal style inspired mainstream and underground artists across the decades, from synth pop superstar Gary Numan to electro-techno duo Adult”.

Metamatic is an album by John Foxx, released in 1980. It was his first solo album following his split with Ultravox the previous year. A departure from the textured mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic’s hard-edged electronica was more akin to Kraftwerk’s The Man-Machine (1978), Gary Numan’s The Pleasure Principle (1979), and early Human League. The name ‘Metamatic’ comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959.

Production and style

Recorded in what the composer described as “an eight-track cupboard in Islington”, Metamatic was engineered by then-unknown Gareth Jones. Foxx’s electronic equipment included ARP Odyssey, an Elka ‘String Machine’ and a Roland CR-78 drum machine. His keyboard skills were rudimentary at the time, and several of the synth parts were played for him by John Wesley-Barker.

Regarding the album’s air of clinical artiness, Foxx later confessed to “reading too much J.G. Ballard” and “imagining I was the Marcel Duchamp of electropop“. Half a dozen tracks referenced automobiles or motorways, most obviously “Underpass” and “No-One Driving”. Foxx re-worked the former track as “Overpass” on the live Subterranean Omnidelic Exotour in 1998 (reissued in 2002 as the second of a 2-disc set, The Golden Section Tour + The Omnidelic Exotour); he also re-used its distinctive riff for the track “Invisible Women” on 2001’s Pleasures of Electricity with Louis Gordon. The song “He’s a Liquid” was inspired by a still from a Japanese horror film depicting a suit draped across a chair in such a way as to suggest that the wearer had liquified; Foxx’s lyrics also alluded to the ‘fluidity’ of human relationships. The final track, “Touch and Go”, exhibited psychedelic touches that would increasingly recur in his 1980s work.

Foxx had performed “He’s a Liquid” and “Touch and Go” live with Ultravox before leaving the band in 1979. Drummer Warren Cann, for one, appeared to consider them to be Ultravox, rather than John Foxx, numbers and noted that the band did not receive any credit for them on Metamatic. Notwithstanding, when Ultravox adapted the tune from “Touch and Go” for the song “Mr X” on Vienna (1980), their first album following Foxx’s departure, Foxx was not credited.

Release and aftermath

Metamatic spent seven weeks in the UK charts, peaking at #18. Though Foxx was accused in some quarters at the time of imitating Gary Numan – ironically in light of the inspiration Numan publicly admitted to taking from the Foxx-led Ultravox – the album was generally well received by critics and is still cited as his most influential solo release.

“Underpass” was released as an edited single a week before the album (length: 3:18), making #35 in the UK charts and appearing on a number of electropop compilations of the time. Its B-side was a non-album instrumental, “Film One”. In March 1980 a remix of “No-One Driving” was released with three other non-album tracks, “Glimmer”, “This City” and “Mr No”, reaching #32.

In June 1980, Foxx released a single with new songs on both sides, “Burning Car” b/w “20th Century”, making #35. He issued one more single-only release in October 1980, the transitional “Miles Away” b/w “A Long Time”, which provided a foretaste of the more fully produced sound of his next album, The Garden (1981). All these non-album tracks have appeared on various John Foxx compilations and reissues of Metamatic; the 1993 CD version of the album also included “Young Love”, a previously unreleased track recorded in 1979. A two-CD reissue of the album was released in September 2007 that collected most Metamatic-era music, plus previously unavailable tracks, onto one bonus CD.

For many years Metamatic’s stark electronic sound made it something of an aberration in the John Foxx catalogue. However Foxx’s recent material with Louis Gordon, Shifting City, Pleasures of Electricity and Crash and Burn, bear more resemblance to the album than to his subsequent 1980s releases. Foxx’s record label and his official website are also named Metamatic.

Track listing

All songs written by John Foxx.

1. “Plaza” – 3:52
2. “He’s a Liquid” – 2:59
3. “Underpass” – 3:53
4. “Metal Beat” – 2:59
5. “No-One Driving” – 3:45
6. “A New Kind of Man” – 3:38
7. “Blurred Girl” – 4:16
8. “030” – 3:15
9. “Tidal Wave” – 4:14
10. “Touch and Go” – 5:33

Personnel

• John Foxx – vocals, rhythm machines (mainly Roland CR-78), synthesizers
• John Wesley Barker – additional synthesizers
• Jake Durant – additional bass
• Gareth Jones – engineer

Keyboards used on the album include the Minimoog, ARP Odyssey, clavinet, piano, Farfisa string synth, and Hammond organ.