Al Di Meola Project – Tirami Su
(EMI Records 1987 MTL1019)
Matrix No’s: A1/B1 – UK Pressing
Sleeve in Excellent condition
– some wear to edges/corners
Vinyl in Nr MINT condition
– some light crackles on Side 2
Al Di Meola (born Al Laurence Dimeola, July 22, 1954, in Jersey City, New Jersey) is an acclaimed American jazz fusion and Latin jazz guitarist, composer, and record producer of Italian origin. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night in San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world.
Di Meola grew up in Bergenfield, New Jersey, and attended Bergenfield High School. He is now a resident of Bergen County, New Jersey.
In 1971, he enrolled in the Berklee College of Music in Boston, Massachusetts. In 1974 he joined Chick Corea’s band, Return to Forever, and played with the band until a major lineup shift in 1976.
Di Meola went on to explore a variety of styles, but is most noted for his Latin-influenced jazz fusion works. He is a four-time winner as Best Jazz Guitarist in Guitar Player Magazine‘s Reader Poll.
Guitar historian Robert Lynch states: “In the history of the electric guitar, no one figure has done more to advance the instrument in a purely technical manner than Mr. Di Meola. His total command of the various styles and scales is simply mind-boggling. I feel privileged to have been able to study his work all these years.”
In addition to a prolific solo career, he has engaged in successful collaborations with bassist Stanley Clarke, keyboardist Jan Hammer, violinist Jean-Luc Ponty, and guitarists John McLaughlin and Paco de Lucía. He also guested on “Allergies” from Paul Simon’s Hearts and Bones'” album (1983).
In the beginning of his career, as evidenced on his first solo album Land of the Midnight Sun (1976), Di Meola was noted for his technical mastery and extremely fast, complex guitar solos and compositions. But even on his early albums, he had begun to explore Mediterranean cultures and acoustic genres like flamenco. Good examples are “Mediterranean Sundance” and “Lady of Rome, Sister of Brazil” from the Elegant Gypsy album (1977). His early albums were very influential among rock and jazz guitarists alike. Di Meola continued to explore Latin music within the jazz fusion genre on albums like Casino and Splendido Hotel. He exhibited a more subtle touch on acoustic numbers like “Fantasia Suite for Two Guitars” from the Casino album, and on the best-selling live album with McLaughlin and de Lucia, Friday Night in San Francisco. The latter album became one of the most popular live albums for acoustic guitar ever recorded and was sold more than two million times worldwide. In 1980, he also toured with fellow Latin rocker Carlos Santana.
With Scenario, he explored the electronic side of jazz in a collaboration with Jan Hammer (later of Miami Vice theme fame). Beginning with this change, he further expanded his horizons with the acoustic album Cielo e Terra. He began to incorporate guitars and synthesizers on albums such as Soaring Through a Dream. By the 1990s, Di Meola recorded albums closer to World music and modern Latin styles than jazz.
He has continued to tour, playing in smaller venues like The Birchmere in Alexandria, Virginia, and House of Blues in Las Vegas, Nevada. Recent concerts have included a sampling of his newer material (an engaging mix of acoustic, “distorted acoustic music”, and guitar/synthesizer with a looser format than the songs on the early solo albums) along with a selection of electric guitar numbers from the early albums. Di Meola often closes out shows with an energetic rendition of one of his most challenging pieces, “Race with Devil on Spanish Highway”, from the Elegant Gypsy album. Even in technical showcases like this, he combines blindingly fast scalar runs with subtle, dazzling rhythms, and melodic phrases. Because of his early recordings, Di Meola became arguably the most important pioneer of shred guitar, influencing guitarists such as Yngwie Malmsteen (with whom he appeared on keyboardist Derek Sherinian’s solo album Black Utopia in 2003), Richie Sambora of Bon Jovi with his speed runs as a child and Dream Theater’s John Petrucci. However, in most cases after the early 1980s, Di Meola has largely distanced himself from this approach. In various interviews, Di Meola has stated that his reason for stepping away from the electric guitar is due to hearing damage (manifested as tinnitus) from years of playing at excessive volumes; the acoustic guitar does not aggravate his condition.
But in 2006 he rediscovered his love of the electric guitar, and the DVD of his concert at the Leverkusen Jazz Festival 2006 bears the subtitle Return to Electric Guitar.
Tirami Su is an album by Italian-American jazz fusion and Latin jazz guitarist Al Di Meola and the Al Di Meola Project, released in 1987. Musicians on this album include longtime associate of Al Di Meola, Anthony Jackson on bass guitar, Japanese-American pianist Kei Akagi, Tommy Brechtlein on drums, Minu Cinelu on percussion Jose Renato on vocals and acoustic bass player Harvie S.
All songs by Al Di Meola unless otherwise noted.
- “Beijing Demons” – 6:22
- “Arabella” – 7:08
- “Smile from a Stranger” – 5:40
- “Rhapsody of Fire” – 5:03
- “Song to the Pharaoh Kings” (Chick Corea) – 8:44
- “Andonea” – 3:01
- “Maraba (Al Di Meola, Clara Sandroni) – 5:18
- “Song with a View” – 6:20
- “Tirami Su, Part 1” – 1:10
- Al Di Meola – guitar
- Anthony Jackson – bass guitar
- Kei Akagi – keyboards
- Tom Brechtlein – drums
- Mino Cinélu – percussion
- Jose Renato – vocals
- Harvie S – bass
- Produced by Al Di Meola
- Engineered by Dennis McKay
- Executive Producer – Nancy Gaelen