David Bowie – Aladdin Sane
(RCA Records 1973 RS1001)
Matrix No’s: CPRY 4543-3T A5 AAAM A1CPRY-4543-3T / CPRY 4543-3T A4 AAD – No “Stereo” on labels
UK Pressing – Non Gatefold Sleeve
Sleeve in Excellent+ condition
– close to Nr MINT – some rubbing near bottom edge
Original RCA Inner Sleeve
Lyric Insert in Nr MINT condition
Vinyl in Nr MINT condition
(there are some light surface marks visible on the vinyl when held up to the light but they don’t affect the sound quality)
David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie, was an English singer, songwriter and actor. He was a figure in popular music for over five decades, regarded by critics and musicians as an innovator, particularly for his work in the 1970s. His career was marked by reinvention and visual presentation, his music and stagecraft significantly influencing popular music. During his lifetime, his record sales, estimated at 140 million worldwide, made him one of the world’s best-selling music artists. In the UK, he was awarded nine platinum album certifications, eleven gold and eight silver, releasing eleven number-one albums. In the US, he received five platinum and seven gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.
Born and raised in South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. “Space Oddity” became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single “Starman” and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie’s style shifted radically towards a sound he characterised as “plastic soul”, initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single “Fame” and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that would come to be known as the “Berlin Trilogy”. “Heroes” (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.
After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single “Ashes to Ashes”, its parent album Scary Monsters (And Super Creeps), and “Under Pressure”, a 1981 collaboration with Queen. He then reached his commercial peak in 1983 with Let’s Dance, with its title track topping both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. Bowie also continued acting; his roles included Major Celliers in Merry Christmas, Mr. Lawrence (1983), the Goblin King Jareth in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped concert touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with the release of The Next Day. He remained musically active until he died of liver cancer two days after the release of his final album, Blackstar (2016).
Aladdin Sane is the sixth album by David Bowie, released by RCA Records in 1973. The follow-up to his breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was the first album Bowie wrote and released as a bona fide rock star. While many critics agree that it contains some of his best material, opinion as to its overall quality has often been divided. NME editors Roy Carr and Charles Shaar Murray called the album “oddly unsatisfying, considerably less than the sum of the parts”, while Bowie encyclopedist Nicholas Pegg describes it as “one of the most urgent, compelling and essential” of his releases. The Rolling Stone review by Ben Gerson pronounced it “less manic than The Man Who Sold The World, and less intimate than Hunky Dory, with none of its attacks of self-doubt.” It was one of six Bowie entries in Rolling Stone’s list of the 500 greatest albums of all time (at #277) and ranked #77 on Pitchfork Media’s Top 100 Albums of the 1970s.
Track listing
All songs written and composed by David Bowie, except where noted.
Side one | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
No. | Title | Length | ||||||||
1. | “Watch That Man” | 4:30 | ||||||||
2. | “Aladdin Sane (1913-1938-197?)” | 5:06 | ||||||||
3. | “Drive-In Saturday” | 4:33 | ||||||||
4. | “Panic in Detroit” | 4:25 | ||||||||
5. | “Cracked Actor” | 3:01 |
Side two | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
No. | Title | Length | ||||||||
6. | “Time” | 5:15 | ||||||||
7. | “The Prettiest Star” | 3:31 | ||||||||
8. | “Let’s Spend the Night Together” (Mick Jagger, Keith Richards) | 3:10 | ||||||||
9. | “The Jean Genie” | 4:07 | ||||||||
10. | “Lady Grinning Soul” | 3:54 |
Personnel
- David Bowie – guitar, harmonica, keyboards, saxophone, vocals
- Mick Ronson – guitar, piano, vocals
- Trevor Bolder – bass
- Mick “Woody” Woodmansey – drums
Additional personnel
- Mike Garson – piano
- Ken Fordham – saxophone
- Brian “Bux” Wilshaw – saxophone, flute
- Linda Lewis – backing vocals
- Juanita “Honey” Franklin – backing vocals
- G.A. MacCormack – backing vocals
Production personnel
- David Bowie – producer, arrangements
- Ken Scott – producer, engineer
- Mick Moran – engineer
- Mick Ronson – arrangements
Reviews
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