RAY CHARLES & MILT JACKSON – SOUL MEETING LP – Nr MINT JAZZ MODERN JAZZ QUARTET

Ray Charles & Milt Jackson – Soul Meeting
(Atlantic Records  1976  ATL50234)

Vinyl in Nr MINT condition

Die Cut Gatefold Sleeve in Excellent+ condition
– great condition but the metallic outer of the sleeve has aged

Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer-songwriter, musician and composer known as Ray Charles and sometimes referred to as “The Genius”. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into early performances recorded by Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles “the only true genius in show business”, although Charles downplayed this notion. He was blind from age seven. His best friend in music was South Carolina-born James Brown, the “Godfather of Soul”, and like Charles an active lifelong Republican.

The influences upon his music were mainly jazz, blues, rhythm and blues, and country artists of the day including Art Tatum, Louis Jordan, Charles Brown, and Louis Armstrong, though he maintained that he was most influenced by Nat King Cole. His playing reflected influences from country blues, barrelhouse and stride piano styles.

Rolling Stone ranked Charles as number ten on its list of “100 Greatest Artists of All Time” in 2004, and number two on their November 2008 list of “100 Greatest Singers of All Time”. In honoring Charles, Billy Joel noted: “This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley”.

Milton “Bags” Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post-bop players.

A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. He preferred to set the vibraphone’s oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton’s speed of 10 revolutions per second) for a more subtle tremolo. On occasion, Jackson sang and played piano professionally.