THE SMITHS – STRANGEWAYS, HERE WE COME LP – Nr MINT/EXC+ A2/B2 UK 1987 MORRISSEY MARR

The Smiths – Strangeways, Here We Come
(Rough Trade Records  1987  ROUGH106)
Matrix No’s: A2/B2 – UK Pressing

Embossed Sleeve in Nr MINT condition
– a little wear to edges
Inner Sleeve in Nr MINT condition

Vinyl in Nr MINT/Excellent+ condition
(there are some surface marks visible on the vinyl when held up to the light but they don’t affect the sound quality apart from the odd light pop/crackle & some crackles at the very start of side 2 & a few clicks about half way through Last Night I Dreamt Somebody Loved Me – Side 2 Excellent+ a few more clicks and crackles)

The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them the most important alternative rock band to emerge from the British independent music scene of the 1980s. Q magazine’s Simon Goddard argued in 2007 that the Smiths were “the one truly vital voice of the ’80s”, “the most influential British guitar group of the decade” and the “first indie outsiders to achieve mainstream success on their own terms”. The NME named the Smiths the “most influential artist ever” in a 2002 poll, over the Beatles.

Based on the songwriting partnership of Morrissey and Marr, the group signed to the independent record label Rough Trade Records, on which they released four studio albums, The Smiths (1984), Meat Is Murder (1985), The Queen Is Dead (1986) and Strangeways, Here We Come (1987). Four of their albums (including three studio albums) appeared on Rolling Stone’s list of the 500 Greatest Albums of All Time. They have also released several compilations, and numerous non-album singles. The Smiths had several singles reach the UK top 20 and all four of their studio albums reached the UK top 5, including one which hit #1. They won a significant following and remain cult favourites, although they had limited commercial success outside the UK while they were still together. The band broke up in 1987 due to internal tensions and have turned down several offers to reunite.

The band’s focus on a guitar, bass, and drum sound, and their fusion of 1960s rock and post-punk, were a repudiation of synthesiser-based contemporary dance-pop – the style popular in the 1980s. Marr’s guitar work, using a Rickenbacker, often had a jangle pop sound reminiscent of Roger McGuinn of the Byrds, and influenced later Manchester bands including the Stone Roses and Oasis. Morrissey’s complex, literate lyrics combined themes about ordinary people with mordant humour. In 2014 and 2015, they were nominated for induction into the Rock and Roll Hall of Fame.

Strangeways, Here We Come is the fourth and final studio album by English rock band The Smiths, released in 1987, reaching No. 2 on the album chart and staying in the chart for 17 weeks. All of the songs on the album were composed by Johnny Marr, with lyrics written and sung by Morrissey. The album was certified gold by the Recording Industry Association of America on 19 September 1990.

Slant Magazine listed the album at #69 on its list of “Best Albums of the 1980s,” saying, “Whether or not Strangeways, Here We Come ended the Smiths’ brief career with their best album has been the subject of considerable debate for nearly a quarter century, but it definitively stands as the band’s most lush, richest work.”

Track listing

All songs written and composed by Morrissey and Johnny Marr.

Personnel

Band

• Morrissey – vocals, piano on “Death of a Disco Dancer”
• Johnny Marr – guitar, keyboards, harmonica, autoharp (on “I Won’t Share You”), synthesized strings and saxophone arrangements
• Andy Rourke – bass guitar
• Mike Joyce – drums

Additional musicians

• Stephen Street – additional drum machine programming on “I Started Something I Couldn’t Finish”, “Paint a Vulgar Picture” and “Death at One’s Elbow”, and strings arrangement for “Girlfriend in a Coma”

The sleeve notes list “Orchestrazia Ardwick” as being responsible for performance of the strings and saxophone arrangements; in reality, this is Johnny Marr and his synthesizer.

Technical staff

• Johnny Marr, Morrissey, and Stephen Street – producers
• Steve Williams – assistant engineer