Tom Waits – Rain Dogs
(Island Records 1985 ISL1065 Canada Press)
Sleeve in Excellent/Very Good+ condition
– some wear to edges & 3 inch split in top edge
Plain White Inner Sleeve
Vinyl in Nr MINT/Excellent+ condition
(there are some surface marks visible on the vinyl when held up to the light but they don’t affect the sound quality apart from some light pops/crackles)
Thomas Alan Waits (born December 7, 1949) is an American singer, songwriter, musician, composer, and actor. His music is characterized by his distinctive deep, gravelly singing voice and lyrics focusing on the underside of U.S. society. During the 1970s, he worked primarily in jazz, but since the 1980s his music has reflected greater influence from blues, vaudeville, and experimental genres.
Waits was born and raised in a middle-class family in California. Inspired by the work of Bob Dylan and the Beat Generation, as a teenager he began singing on the San Diego folk music scene. Relocating to Los Angeles, he worked as a songwriter before signing a recording contract with Asylum Records. His first albums, the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), reflected his lyrical interest in nightlife, poverty, and criminality. Repeatedly touring the U.S., Europe, and Japan, he attracted greater critical recognition and commercial success with Small Change (1976), which he followed with Blue Valentine (1978) and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola’s 1981 film One from the Heart and subsequently made cameo appearances in several Coppola films. During the 1970s, he also had relationships with two prominent performers, Bette Midler and Rickie Lee Jones.
In the early 1980s, Waits married Kathleen Brennan, broke from his manager and record label, and moved to New York City. Under Brennan’s encouragement, he pursued a new, more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records: Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in film, taking a leading role in Jim Jarmusch’s Down by Law (1986). In the 1990s, his albums Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999) earned him increasing critical acclaim and various Grammy Awards. In the late 1990s, he switched to the record label Anti-, who released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).
Waits’ albums have met with mixed commercial success in the U.S., although they have occasionally achieved gold status in other countries. He has a cult following and has influenced many singer-songwriters, despite having little radio or music video support. In 2011, Waits was inducted into the Rock and Roll Hall of Fame. He was included among the 2010 list of Rolling Stone‘s 100 Greatest Singers, as well as the 2015 list of Rolling Stone‘s 100 Greatest Songwriters of All Time.
Rain Dogs is the eighth album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about “the urban dispossessed” of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.
The album, which includes appearances by guitarists Keith Richards and Marc Ribot, is noted for its broad spectrum of musical styles and genres, described by Rolling Stone as merging “Kurt Weill, pre-rock integrity from old dirty blues, [and] the elegiac melancholy of New Orleans funeral brass, into a singularly idiosyncratic American style.”
The album peaked at #29 on the UK charts and #188 on the US Billboard Top 200. In 1989, it was ranked #21 on the Rolling Stone list of the “100 greatest albums of the 1980s.” In 2003, the album was ranked number 397 on the magazine’s list of “The 500 Greatest Albums of All Time“.
Track listing
All songs written and composed by Tom Waits except where noted.
Side one
No. | Title | Writer(s) | Length | |
---|---|---|---|---|
1. | “Singapore” | 2:46 | ||
2. | “Clap Hands” | 3:47 | ||
3. | “Cemetery Polka” | 1:51 | ||
4. | “Jockey Full of Bourbon” | 2:45 | ||
5. | “Tango Till They’re Sore” | 2:49 | ||
6. | “Big Black Mariah” | 2:44 | ||
7. | “Diamonds & Gold” | 2:31 | ||
8. | “Hang Down Your Head” | Kathleen Brennan, Waits | 2:32 | |
9. | “Time” | 3:55 |
Side two
No. | Title | Length | |
---|---|---|---|
10. | “Rain Dogs” | 2:56 | |
11. | “Midtown” (instrumental) | 1:00 | |
12. | “9th & Hennepin” | 1:58 | |
13. | “Gun Street Girl” | 4:37 | |
14. | “Union Square” | 2:24 | |
15. | “Blind Love” | 4:18 | |
16. | “Walking Spanish” | 3:05 | |
17. | “Downtown Train” | 3:53 | |
18. | “Bride of Rain Dog” (instrumental) | 1:07 | |
19. | “Anywhere I Lay My Head” | 2:48 | |
Total length:
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53:46 |
Personnel
All personnel credits adapted from the album’s liner notes.
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